2024S

• Computermusic / 193.131 / VU
• Music production / 193.152 / VU

• Evolving musical expectations: Mutual correlation between a human musician and an AI musical instrument / Tahiroğlu, K. (2022). Evolving musical expectations: Mutual correlation between a human musician and an AI musical instrument. In E. Tomás Calderón, T. Gorbach, H. Tellioglu, & M. Kaltenbrunner (Eds.), Embodied Gestures (pp. 30–36). TU Wien Academic Press. https://doi.org/10.34727/2022/isbn.978-3-85448-047-1_4
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• Timescales for sound-motion objects / Godøy, R. I. (2022). Timescales for sound-motion objects. In E. Tomás Calderón, T. Gorbach, H. Tellioglu, & M. Kaltenbrunner (Eds.), Embodied Gestures (pp. 39–48). TU Wien Academic Press. https://doi.org/10.34727/2022/isbn.978-3-85448-047-1_5
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• Embodied Gestures / Tomás Calderón, E., Gorbach, T., Tellioglu, H., & Kaltenbrunner, M. (Eds.). (2022). Embodied Gestures. TU Wien Academic Press. https://doi.org/10.34727/2022/isbn.978-3-85448-047-1
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• Creaking apples and singing chairs: On composing with objects, actions and sounds / van Eck, C. (2022). Creaking apples and singing chairs: On composing with objects, actions and sounds. In E. Tomás Calderón, T. Gorbach, H. Tellioglu, & M. Kaltenbrunner (Eds.), Embodied Gestures (pp. 3–10). TU Wien Academic Press. https://doi.org/10.34727/2022/isbn.978-3-85448-047-1_1
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• Instrumental infrastructure: Sheet materials, gesture andmusical performance / Devenish, L. (2022). Instrumental infrastructure: Sheet materials, gesture andmusical performance. In E. Tomás Calderón, T. Gorbach, H. Tellioglu, & M. Kaltenbrunner (Eds.), Embodied Gestures (pp. 11–20). TU Wien Academic Press. https://doi.org/10.34727/2022/isbn.978-3-85448-047-1_2
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• Pre-gesture, gesture and sound on (no) piano: Music from Somewhere / Lizarazu, H. (2022). Pre-gesture, gesture and sound on (no) piano: Music from Somewhere. In E. Tomás Calderón, T. Gorbach, H. Tellioglu, & M. Kaltenbrunner (Eds.), Embodied Gestures (pp. 22–28). TU Wien Academic Press. https://doi.org/10.34727/2022/isbn.978-3-85448-047-1_3
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• Multi-form visualization: A method to compose acousmatic music / Viel, V. (2022). Multi-form visualization: A method to compose acousmatic music. In E. Tomás Calderón, T. Gorbach, H. Tellioglu, & M. Kaltenbrunner (Eds.), Embodied Gestures (pp. 49–62). TU Wien Academic Press. https://doi.org/10.34727/2022/isbn.978-3-85448-047-1_6
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• The ocularcentric objectification of musical embodiment in cognitive capitalism: Covid-19 as an allegory on the multiple senses of touch / Antoniadis, P. (2022). The ocularcentric objectification of musical embodiment in cognitive capitalism: Covid-19 as an allegory on the multiple senses of touch. In E. Tomás Calderón, T. Gorbach, H. Tellioglu, & M. Kaltenbrunner (Eds.), Embodied Gestures (pp. 63–77). TU Wien Academic Press. https://doi.org/10.34727/2022/isbn.978-3-85448-047-1_7
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• Embodied Gestures: Sculpting sonic expression intomusical artifacts / Tomás Calderón, E., Gorbach, T., Tellioglu, H., & Kaltenbrunner, M. (2022). Embodied Gestures: Sculpting sonic expression intomusical artifacts. In E. Tomás Calderón, T. Gorbach, H. Tellioglu, & M. Kaltenbrunner (Eds.), Embodied Gestures (pp. 81–97). TU Wien Academic Press. https://doi.org/10.34727/2022/isbn.978-3-85448-047-1_8
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• Thomas Gorbach interviews Annette Vande Gorne / Gorbach, T., & Vande Gorne, A. (2022). Thomas Gorbach interviews Annette Vande Gorne. In E. Tomás Calderón, T. Gorbach, H. Tellioglu, & M. Kaltenbrunner (Eds.), Embodied Gestures (pp. 99–106). TU Wien Academic Press. https://doi.org/10.34727/2022/isbn.978-3-85448-047-1_9
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• Gestural and textural approaches with the Embodied Gestures instruments / Lotis, T. (2022). Gestural and textural approaches with the Embodied Gestures instruments. In E. Tomás Calderón, T. Gorbach, H. Tellioglu, & M. Kaltenbrunner (Eds.), Embodied Gestures (pp. 107–122). TU Wien Academic Press. https://doi.org/10.34727/2022/isbn.978-3-85448-047-1_10
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• Exploring polyphony in spatial patterns in acousmatic music / Reis, J. (2022). Exploring polyphony in spatial patterns in acousmatic music. In E. Tomás Calderón, T. Gorbach, H. Tellioglu, & M. Kaltenbrunner (Eds.), Embodied Gestures (pp. 123–132). TU Wien Academic Press. https://doi.org/10.34727/2022/isbn.978-3-85448-047-1_11
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• User-centred design as a model-based co-creation process / Tellioglu, H. (2022). User-centred design as a model-based co-creation process. In E. Tomás Calderón, T. Gorbach, H. Tellioglu, & M. Kaltenbrunner (Eds.), Embodied Gestures (pp. 133–142). TU Wien Academic Press. https://doi.org/10.34727/2022/isbn.978-3-85448-047-1_12
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• Embodied Gestures: Sculpting Energy-Motion Models into Musical Interfaces / Tomas, E., Gorbach, T., Tellioglu, H., & Kaltenbrunner, M. (2021). Embodied Gestures: Sculpting Energy-Motion Models into Musical Interfaces. In Proceedings of the the International Conference on New Interfaces for Musical Expression (NIME 2021) (pp. 1–25). http://hdl.handle.net/20.500.12708/58706
• User-Centred Design as a Model-Based Co-Creation Process / Tellioglu, H. (2021). User-Centred Design as a Model-Based Co-Creation Process. In E. Tomas, M. Kaltenbrunner, T. Gorbach, & H. Tellioglu (Eds.), Embodied Gestures (pp. 133–142). TU Wien Academic Press. http://hdl.handle.net/20.500.12708/30695
• Embodied Gestures: Sculpting Sonic Expression into Musical Artifacts / Tomas, E., Gorbach, T., Tellioglu, H., & Kaltenbrunner, M. (2021). Embodied Gestures: Sculpting Sonic Expression into Musical Artifacts. In E. Tomas, M. Kaltenbrunner, T. Gorbach, & H. Tellioglu (Eds.), Embodied Gestures (pp. 81–98). TU Wien Academic Press. http://hdl.handle.net/20.500.12708/30694
• Material embodiments of electroacoustic music: An experimental workshop study / Tomas, E., Gorbach, T., Tellioglu, H., & Kaltenbrunner, M. (2019). Material embodiments of electroacoustic music: An experimental workshop study. In Proceedings of the 19th Conference on New Interfaces for Musical Expression (NIME 2019). 19th Conference on New Interfaces for Musical Expression (NIME 2019), Porto Alegre, Brazil, Non-EU. http://hdl.handle.net/20.500.12708/57822

• Algorithmic composition / Aschauer, D. (2008). Algorithmic composition [Master Thesis, Technische Universität Wien]. reposiTUm. https://resolver.obvsg.at/urn:nbn:at:at-ubtuw:1-25873
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